From Chapter 2:
It chaunc'd me gazing at the Theater,
To spie a Lock-Tabacco Chevalier
Clowding the loathing ayr with foggie fume
Of Dock Tobacco friendly foe to rhume—

says a versifier of 1599, who did not like smoking in the theatre and so abused the quality of the tobacco smoked—though admitting its medicinal virtue. Dekker suggests, probably with truth, that one reason why the young gallant liked to push his way to a stool on the stage, notwithstanding "the mewes and hisses of the opposed rascality"—the "mewes" must have been the squeals or whistles produced by the instrument which was later known as a cat-call—was the opportunity such a prominent position afforded for the display of "the best and most essential parts of a gallant—good cloathes, a proportionable legge, white hand, the Persian lock, and a tolerable beard." Apparently, too, serving-boys were within call, and thus lights could easily be obtained, which were handed to one another by the smokers on the points of their swords.

From Chapter 6:
Even the staid Quakers smoked. George Fox's position in regard to tobacco was curious. He did not smoke himself; but on one occasion he was offered a pipe by a jesting youth who thought thereby to shock so saintly a person. Fox says in his "Journal," "I lookt upon him to bee a forwarde bolde lad: and tobacco I did not take: butt ... I saw hee had a flashy empty notion of religion: soe I took his pipe and putt it to my mouth and gave it to him again to stoppe him lest his rude tongue should say I had not unity with ye creation." The incident is curious, but testifies to Fox's tolerance and breadth of outlook.